Wisdom 13
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Confronta con un'altra Bibbia
Cambia Bibbia
NEW JERUSALEM | NOVA VULGATA |
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1 Yes, natural y stupid are all who are unaware of God, and who, from good things seen, have not beenable to discover Him-who-is, or, by studying the works, have not recognised the Artificer. | 1 Vani autem sunt natura omnes homines, in quibus non subest scientia Dei; et de his, quae videntur bonis, non potuerunt intellegere eum, qui est, neque operibus attendentes agnoverunt artificem. |
2 Fire, however, or wind, or the swift air, the sphere of the stars, impetuous water, heaven's lamps, arewhat they have held to be the gods who govern the world. | 2 Sed aut ignem aut spiritum aut citatum aerem aut gyrum stellarum aut violentam aquam aut luminaria caeli, rectores orbis terrarum, deos putaverunt. |
3 If, charmed by their beauty, they have taken these for gods, let them know how much the Master ofthese excels them, since he was the very source of beauty that created them. | 3 Quorum si specie delectati, illa deos putaverunt, sciant quanto his dominator eorum melior est: speciei enim principium et auctor constituit ea. |
4 And if they have been impressed by their power and energy, let them deduce from these how muchmightier is he that has formed them, | 4 Si autem virtutem et operationem eorum mirati, intellegant ab illis quanto, qui haec fecit, fortior est illis: |
5 since through the grandeur and beauty of the creatures we may, by analogy, contemplate their Author. | 5 a magnitudine enim et pulchritudine creaturarum cognoscibiliter potest creator horum videri. |
6 Small blame, however, attaches to them, for perhaps they go astray only in their search for God andtheir eagerness to find him; | 6 Sed tamen in his minor est querela, et hi enim fortasse errant Deum quaerentes et volentes invenire. |
7 familiar with his works, they investigate them and fal victim to appearances, seeing so much beauty. | 7 Etenim, cum in operibus illius conversentur, inquirunt et credunt visui, quoniam pulchra sunt, quae videntur. |
8 But even so, they have no excuse: | 8 Iterum autem nec his potest ignosci: |
9 if they are capable of acquiring enough knowledge to be able to investigate the world, how have theybeen so slow to find its Master? | 9 si enim tantum valuerunt scire, ut possent aestimare saeculum, quomodo huius Dominum non facilius invenerunt? |
10 But wretched are they, with their hopes set on dead things, who have given the title of gods to humanartefacts, gold or silver, skilfully worked, figures of animals, or useless stone, carved by some hand long ago. | 10 Infelices autem, et in rebus mortuis sunt spes illorum, qui appellaverunt deos opera manuum hominum, aurum et argentum, artis inventionem et similitudines animalium aut lapidem inutilem, opus manus antiquae. |
11 Take a woodcutter. He fel s a suitable tree, neatly strips off the bark al over and then with admirableskil works the wood into an object useful in daily life. | 11 Aut si quis artifex faber de silva tractabile lignum secuerit C huius docte erasit omnem corticem et arte sua usus diligenter fabricavit vas utile in conversationem vitae; |
12 The bits left over from his work he uses for cooking his food, then eats his fil . | 12 reliquiis autem eius operis ad praeparationem escae abusus, satiatus est, |
13 There is stil a good-for-nothing bit left over, a gnarled and knotted bil et: he takes it and whittles itwith the concentration of his leisure hours, he shapes it with the skill of experience, he gives it a human shape | 13 et reliquum horum, quod ad nullos usus facit, lignum curvum et nodis concretum accipiens, sculpsit diligenter per vacuitatem suam et per scientiam tempore requiei figuravit illud - assimilavit illud imagini hominis |
14 or perhaps he makes it into some vile animal, smears it with ochre, paints its surface red, coats overal its blemishes. | 14 aut alicui ex vilibus animalibus illud comparavit, perliniens rubrica et rubicundum faciens fuco colorem illius et omnem maculam, quae in illo erat, perliniens |
15 He next makes a worthy home for it, lets it into the wal , fixes it with an iron clamp. | 15 et faciens ei dignam habitationem in pariete posuit illud, confirmans ferro. |
16 Thus he makes sure that it will not fal down -- being wel aware that it cannot help itself, since it isonly an image, and needs to be helped. | 16 Ne igitur forte caderet providit illi, sciens quoniam non potest se ipsum adiuvare: imago enim est, et opus est illi adiutorium. |
17 And yet, if he wishes to pray for his goods, for his marriage, for his children, he does not blush toharangue this lifeless thing -- for health, he invokes what is weak, | 17 Et de substantiis et de nuptiis et de filiis votum faciens, non erubescit loqui cum illo, quod sine anima est, et pro sanitate quidem infirmum deprecatur |
18 for life, he pleads with what is dead, for help, he goes begging to total inexperience, for a journey,what cannot even use its feet, | 18 et pro vita rogat mortuum et in adiutorium rem omnino inutilem invocat, et pro itinere petit ab eo, quod ambulare non potest, |
19 for profit, an undertaking, and success in pursuing his craft, he asks skil from something whosehands have no skil whatever. | 19 et de acquirendo et de operando et de bono manuum eventu petit utilitatem ab eo, quod prorsus inutile est manibus. |